SKU: 23269443012

Airfix 1/72 British RAF Boeing Fortress Mk.III 08018

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Description

Airfix 1/72 British RAF Boeing Fortress Mk.III 08018In RAF service, the definitive Boeing B 17G was known as the Fortress III, with 85 aircraft being supplied to the British. Operating mainly in the bomber support role, these aircraft would conduct anti radar and clandestine operations, designed to confuse and frustrate German nightfighters, allowing more Allied bombers to return unscathed from their latest raid. The Boeing B 17 Flying Fortress four engine bomber was an airborne manifestation of

In RAF service, the definitive Boeing B-17G was known as the Fortress III, with 85 aircraft being supplied to the British. Operating mainly in the bomber support role, these aircraft would conduct anti-radar and clandestine operations, designed to confuse and frustrate German nightfighters, allowing more Allied bombers to return unscathed from their latest raid.

The Boeing B-17 Flying Fortress four engine bomber was an airborne manifestation of American military might in the Second World War. Operating in massed formations, these distinctive aircraft were designed to conduct daylight precision bombing missions, against strategic enemy targets, with the ultimate aim of literally pounding them into submission. As its name suggests, the Flying Fortress was bristling with defensive armament and it was intended that formations of B-17s could throw so much lead into the air, that any attacking enemy aircraft would either be shot down, or simply fly away from their certain demise – although this thinking did not actually materialise in combat, it did help to give the B-17 a fearsome reputation.

The B-17 also saw service with the Royal Air Force during WWII, mainly operating anti-submarine patrols with Coastal Command, but also in a much more covert role. The Fortress Mk.III aircraft of No.100 Group Bomber Command would fly anti-radar and bomber support missions, designed to confuse and disrupt German night defences and allow Allied bombers a greater chance of returning safely from their latest mission. Flying towards decoy targets and dropping paper strips coated in aluminium known as ‘window’ to interfere with German radar, these RAF Fortress Mk.III bombers attempted blind the Luftwaffe nighfighter force and dramatically reduce its ability to intercept Allied bombers.

Plastic model kit, assembly required. Glue, paint and finishing supplies not included.
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SKU: 23269443012

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Whispering Hills Farm
Houston, US
★★★★★ 5
$100 helping small business 😄
I love this 😍 It will help a small business buy labels, or just something that they need to function and continue their business!
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Reviewed in the United States on May 13, 2026
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No
Battle Creek, US
★★★★★ 4
Interesting Mutter
interesting
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Reviewed in the United States on May 13, 2026
C
C. Seiden
Alexandria, US
★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
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Reviewed in the United States on May 13, 2026
B
Verified Purchase
Bice
Boise, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
D
Verified Purchase
Doug S.
West Palm Beach, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026

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