SKU: 48747516455

Roman Maximian,AD286-310 AE Post-Ref.Radiate / Victory From Jupiter NGC (042)

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Roman Maximian,AD286-310 AE Post-Ref.Radiate / Victory From Jupiter NGC (042)THE ROMAN TETRARCHY Maximian Roman Emperor: 286 305, 307 308 & 310 A. D. Bronze Post Ref. Radiate Obverse: radiate, cuirassed bust right. Reverse: Jupiter facing right, holding globe and scepter, facing Hercules facing left, holding Victory on globe . In Roman mythology, Jupiter or Jove was the king of the gods, and the god of sky and thunder. He is the equivalent of Zeus in the Greek pantheon. He was called Iuppiter (or Diespiter) Optimus Maximus



THE ROMAN TETRARCHY


Maximian - Roman Emperor: 286-305, 307-308 &
310 A.D.

Bronze Post-Ref.Radiate


Obverse:  radiate, cuirassed bust
right.

Reverse:  Jupiter facing right, holding globe and scepter, facing Hercules
facing left, holding Victory on globe .


In Roman mythology, Jupiter or Jove was the
king of the gods, and the god of sky and thunder. He is the equivalent of Zeus
in the Greek pantheon. He was called Iuppiter (or Diespiter) Optimus Maximus
("Father God the Best and Greatest"). As the patron deity of ancient Rome, he
ruled over laws and social order. He was the chief god of the Capitoline Triad,
with sister/wife Juno. Jupiter is also the father of the god Mars with Juno.
Therefore, Jupiter is the grandfather of Romulus and Remus, the legendary
founders of Rome. Jupiter was venerated in ancient Roman religion, and is still
venerated in Roman Neopaganism. He is a son of Saturn, along with brothers
Neptune and Pluto. He is also the brother/husband of Ceres (daughter of Saturn
and mother of Proserpina), brother of Veritas (daughter of Saturn), and father
of Mercury.



Maximian - Roman Emperor 286 - circa 310 A.D.



| Son-in-law of Diocletian | Father of Maxentius and Fausta | Step-father of
Theodora | Grandfather of Romulus |



Maximian (Latin: Marcus Aurelius Valerius Maximianus Herculius Augustus; c. 250
- c. July 310) was Roman Emperor from 286 to 305. He was Caesar from 285 to 286,
then Augustus from 286 to 305. He shared the latter title with his co-emperor
and superior, Diocletian, whose political brain complemented Maximian's military
brawn. Maximian established his residence at Trier but spent most of his time on
campaign. In late 285, he suppressed rebels in Gaul known as the Bagaudae. From
285 to 288, he fought against Germanic tribes along the Rhine frontier. Together
with Diocletian, he launched a scorched earth campaign deep into Alamannic
territory in 288, temporarily relieving the Rhine provinces from the threat of
Germanic invasion.



The man he appointed to police the Channel shores, Carausius, rebelled in 286,
causing the secession of Britain and northwestern Gaul. Maximian failed to oust
Carausius, and his invasion fleet was destroyed by storms in 289 or 290.
Maximian's subordinate, Constantius, campaigned against Carausius' successor,
Allectus, while Maximian held the Rhine frontier. The rebel leader was ousted in
296, and Maximian moved south to combat piracy near Hispania and Berber
incursions in Mauretania. When these campaigns concluded in 298, he departed for
Italy, where he lived in comfort until 305. At Diocletian's behest, Maximian
abdicated on May 1, 305, gave the Augustan office to Constantius, and retired to
southern Italy.



In late 306, Maximian took the title of Augustus again and aided his son
Maxentius' rebellion in Italy. In April 307, he attempted to depose his son, but
failed and fled to the court of Constantius' successor, Constantine (who was
both Maximian's step-grandson and also his son-in-law), in Trier. At the Council
of Carnuntum in November 308, Diocletian and his successor, Galerius, forced
Maximian to renounce his imperial claim again. In early 310, Maximian attempted
to seize Constantine's title while the emperor was on campaign on the Rhine. Few
supported him, and he was captured by Constantine in Marseille. Maximian killed
himself in mid-310 on Constantine's orders. During Constantine's war with
Maxentius, Maximian's image was purged from all public places. However, after
Constantine ousted and killed Maxentius, Maximian's image was rehabilitated, and
he was deified.

 



 





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4.8 ★★★★★
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PWDecker
Natrona Heights, US
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan. There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different. I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!! The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations. The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
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Reviewed in the United States on December 29, 2017
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Kindle Customer
West Palm Beach, US
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
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Reviewed in the United States on June 23, 2019
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Ryan of the East Coast
Natrona Heights, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Kris
Battle Creek, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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Alex Lamberd
Omaha, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014

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